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New Products
New Products
These pages are always worth a visit first. Here, we will introduce exciting new products. So, take a look. We are sure you will discover some great ideas.
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Discover why JY&A Fonts founder Jack Yan has developed a reputation for for meticulously-crafted typefaces. Over 100 new designs now available.
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Decorative and delightful, this new collection features a series of display designs and a handful of ornaments.
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John F Sherman is the founder of JFS Fonts, whose day job is teaching graphic design at the University of Notre Dame. A research interest of mine at Notre Dame is the life and work of Eric Gill. An outgrowth of this work is the first font design published by JFS Fonts titled Felicitas. Felicitas is an opentype font inspired by Eric Gill’s design for Perpetua introduced in 1929 by the Monotype Type Foundry.
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Ingrimayne Type was established in 1988 to distribute digital typefaces designed by Robert Schenk. They offer an eclectic collection of original type designs.
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In Your Typeface Productions is a new Australian type Studio, Mainly specialising in unusual fonts, Aggressive fonts, and Decorative Display fonts. I.Y.T.P’s members include Stephen and Kristy Chick, who are the main design and development team. This young married couple are both accomplished Graphic Designers who are ’font crazy.” Although in its infancy I.Y.T.P’s Typeface library is steadily expanding and hopes are high for the success of their business.
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Soho Gothic is the latest in the Soho typeface project. Seven sans serif weights, with respective italics, from a super-chic Thin to a super-solid Ultra.
Soho Gothic was designed to harmonise well with Soho, it’s slab serif counterpart. It is intended work at all sizes and in all environments. Clean, precise, uncluttered forms lend themselves well to use on screen and in print.
Stylistic sets in these fonts bridge the gap between Soho and Soho Gothic with a suite of semi-slab alternates accessible via some of Soho Gothic’s 25 OpenType features.
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Intended for display use in print publications, David Berlow conceived FB Moderno as a relative of Giza. David has now aligned the weights and widths to make a super 32 style family. This is a classic FontBureau tale of custom font development. The result, a complete 21st Century Modern Family to you, FB Moderno.
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Cyrus Highsmith drew Scout and related logotype for Geraldine Hessler’s redesign of Entertainment Weekly. The large family marks the magazine’s first significant typographic update in a decade. Captions and sidebars are set in Regular and Bold; Light, Black, and Condensed styles form the backbone of the display.
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Fatchair is a small independent type foundry started in 1995 by designer Alan Rimmer. It has been commercially successful in the past few years with its eclectic range of fonts, from gritty, display typefaces through to legible, clean typefaces suitable for text and information displays. Among the most successful is the large Informatic family, which has sold all over the world.
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Sigma is the latest release from Julian Morey of Club 21, and is his take on one of the earliest forms of sans-serif typeface designs "letter-press Grotesque". Although there are several well known versions of Grotesque available, Morey felt none retained the original personality of hot-metal. Sigma is a revival that allows designers to put that feel of hot-metal back into the digital page.
Available as a three weight family, used together they are surprisingly dynamic and versatile and are suitable for both headline and body copy.
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A little experimentation and two years spent incubating in a drawer led to a happy outcome for George Ryan’s elegant serif design, Givens Antiqua. This gracious and highly readable family of four weights offers small caps, three weights of companion italics, and distinctive swash caps for the italic designs.
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The Slate typeface family has long been considered a valuable communications tool. Now a suite of condensed weights adds even more versatility to this elegant design. Designed by Slate’s creator Rod McDonald, Slate Condensed comes in six weights, from Light to Black.
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Font Garden has been online since 1999 and made fonts since 2001. Font Garden is a one person foundry and all fonts are hand drawn by its founder, Ellinor Rapp or by customers and friends. Handwritings are so exciting since there aren't two that look exactly alike - they are like fingerprints but have the ability to express moods and personality.
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FF Meta Serif is available in four weights: Book, Medium, Bold and Black, each with Italics. All styles include Small Caps, lining and oldstyle figures in proportional and tabular widths, and a range of arrows and other symbols. We highly recommend the OpenType versions (OTand Pro) for easy access to all these glyphs and other features like extra ligatures, case-sensitive punctuation, and support for Eastern European languages (in the Pro version). the extra benefit of FF Meta Serif is its close relationship to its sans serif sister. The two families can be mixed in the same line and one can be used to accentuate the other.
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Blambot is the foundry of type designer and illustrator Nate Piekos. Browse through this exciting collection of designs created for and inspired by comic book lettering by clicking on the link.
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Intellecta Design is a Brazilian type foundry that specializes in typographical research and revivals of ancient typefaces and handwriting styles. Many of Intellecta Design’s fonts are based on research of historical churches, museums and similar institutions – or from detailed study of very old Brazilian documents.
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Wilton Foundry was created by Robbie de Villiers in 2003. Years ago, Robbie read an article in U&lc magazine about a reading and comprehension test using Times New Roman, Gill Sans, and Helvetica. This article, combined with extensive training in calligraphy, fueled him to focus on typography and its role in design communications. His fascination and love lie with the challenge of designing fonts that are beautiful not just as individual letters, but in the combinations that form words. He considers it a huge privilege to design fonts that become messengers of both small and large thinking.
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Discourse Type was set up in summer 2007 and influences include the type designer Herb Lubalin, graphic designers Non-Format & Build and just about everything else. It's first release, Diglossia Family, is now available to buy.
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Studiocharlie works in product design, graphics, type design and video. They design typographic fonts. They are sometimes developed from signs and letters linked to their graphic and comunication projects, whilst others are the object of specific research. In general they develop fonts for traditional typographic use like word processing, or more “playful” fonts, for titles, logos and contemporary graphics, and dingbat fonts. Three people founded Studiocharlie in 2002, and work on the development of all the team’s projects: Gabriele Rigamonti, Carla Scorda, Vittorio Turla.
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Insigne was founded as DooleyType in 2004 with the release of the typeface Biortec. Since then, Insigne has released a wide variety of quality typefaces, including sans serifs, scripts, serifs and experimental forms. Insigne prides itself on its unique and affordable fonts. Insigne is the foundry of Jeremy Dooley. A world traveler, Jeremy has traveled extensively and lived in both Europe and the Middle East. In 2005, Jeremy graduated with a master’s degree in graphic design from Savannah College of Art and Design. Jeremy currently resides in Atlanta, Georgia, USA.
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